This article investigates everyday experimentation with shame and visibility in self-photography sharing on digital platforms. Based on empirical data produced in ethnographic research on selfie practice, I discuss the ways in which this type of practice is gradually becoming common place through a learning trajectory related to moments of exposure and shame. The objective is to analyze shame and visibility as practical differences that lead the research participants, each in their own way, to experience a development of exposure, learning, situated performances and impression management. Following a pragmatic perspective, the proposal is not to treat shame as a personal characteristic, or to identify what is visible or not in image sharing...
selfiesphotographysocial mediaself-portraiturephenomenological subjectivityThe contemporary and risi...
The study explored how motivations for taking and sharing selfies vary among youth, with reference t...
The main subject of this paper is photographic narcissism in art and on social networks. Through add...
Taking photos of oneself and sharing them on social media or instant messaging apps is a practice ha...
Since social networks have become an essential part of young people’s lives, the present study exami...
Empirical thesis.Bibliography: pages 94-107.Introduction -- Chapter One. Yearning for the visual : p...
This article develops a theory of selfies as reflexive practices of self-coordination. Building on p...
With the rise of digital technologies, selfies are a contemporary and popular form of digitally prod...
More than just a self-taken, static photo shared on social networking sites, selfies are considered ...
Drawing on a wide corpus of ethnographic research projects, including on photography practices, youn...
As the most obvious provision of social media in the individual world, „selfie“ is confronted at a p...
This paper approach participation in visual promotional strategies as a novel form of public perform...
Since last twenty years, human race has experience digital revolution. This revolution has three maj...
Networking Knowledge 8(6)Special Issue: Be Your SelfieNovember 20151IntroductionBe Your Selfie: Iden...
Defined as a self-image made with a hand-held mobile device and shared via social media platforms, t...
selfiesphotographysocial mediaself-portraiturephenomenological subjectivityThe contemporary and risi...
The study explored how motivations for taking and sharing selfies vary among youth, with reference t...
The main subject of this paper is photographic narcissism in art and on social networks. Through add...
Taking photos of oneself and sharing them on social media or instant messaging apps is a practice ha...
Since social networks have become an essential part of young people’s lives, the present study exami...
Empirical thesis.Bibliography: pages 94-107.Introduction -- Chapter One. Yearning for the visual : p...
This article develops a theory of selfies as reflexive practices of self-coordination. Building on p...
With the rise of digital technologies, selfies are a contemporary and popular form of digitally prod...
More than just a self-taken, static photo shared on social networking sites, selfies are considered ...
Drawing on a wide corpus of ethnographic research projects, including on photography practices, youn...
As the most obvious provision of social media in the individual world, „selfie“ is confronted at a p...
This paper approach participation in visual promotional strategies as a novel form of public perform...
Since last twenty years, human race has experience digital revolution. This revolution has three maj...
Networking Knowledge 8(6)Special Issue: Be Your SelfieNovember 20151IntroductionBe Your Selfie: Iden...
Defined as a self-image made with a hand-held mobile device and shared via social media platforms, t...
selfiesphotographysocial mediaself-portraiturephenomenological subjectivityThe contemporary and risi...
The study explored how motivations for taking and sharing selfies vary among youth, with reference t...
The main subject of this paper is photographic narcissism in art and on social networks. Through add...